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That power is left to other species: to oak trees, for example, to the tides, which through their restlessness carry a phosphorescence we’re not equipped to hear.įrom the fortunate, ramshackle dock of her nine decades - having lived through the splitting of the atom and the Moon landing, through the rise and fall of the Iron Curtain, through a civil war that savaged her homeland and a world war that savaged our civilization, through the heyday Picasso and particle physics and Plath - she observes: Word-languages are a trap… They created chaos and made us sink in incoherence… Our words don’t suit prophecies anymore.
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It reminds me of a childhood of emptiness which seems to have taken me near the beginnings of space and time. Does the discovery of origins remove the dust? The horizon’s shimmering slows down all other perceptions. When we name things simply, with words preceding their meaning, a cosmic narration takes place.
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Painting by Etel Adnan from Etel Adnan: Light’s New Measure, Guggenheim Museum, 2021. What emerges is the wakeful work, a life’s work, of naming what is - the ultimate Is beyond the explanations that masquerade as meaning yet containing the ultimate meaning. (No amount of life is enough life, and any amount of life is enough life - as with love.)Īdnan’s uncommon reckoning with mortality and the meaning lives on his her final book, Shifting the Silence ( public library) - a lucid and luminous stream-of-consciousness outpouring of insight into the nature of existence, an inquiry into what gives meaning to our mortal lives, partway between poetry and philosophy, between requiem and redemption, between Gertrude Stein’s meditation on belonging in a love letter to Paris and Patti Smith’s meditation on dreams in a love letter to time. Half a century later and a landmass over, as dawn was silvering the clouds of the Parisian night, she slipped out of the mortal and into the timeless, less than 1000 days shy of having lived 100 years. You fall in love with a Time you will never perceive,” the polymathic poet, painter, novelist, and philosopher Etel Adnan (February 24, 1925–November 14, 2021) wrote at the foot of a mountain she saw as a lens on the meaning of life. we found two dead swans and filled their bodies with flowersġ9.“When you realize you are mortal you also realize the tremendousness of the future. doing all the things i used to do with people, part 2ġ8. This collection will feature brand new artwork, including never-before seen photos & a lyric sheet for both EPs in one volume.ġ7.
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These 18 tracks have been remastered to provide the best sound quality possible while still retaining the noisy, lo-fi sound that is an integral part of the teen suicide’s essence. Now the first time, two of the band’s most sought after early EPs, dc snuff film and waste yrself, will be available together across all formats via Run For Cover Records this winter. For as long as they’ve been a band, teen suicide’s catalog has been as alluring as it has been elusive.